Jack Newhorse

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  • Music video: “I’m Feeling Isolated”

    A song for our times, with apologies to The Ramones.

    And here it is without swearing:

    Lyrics released as CC-BY: You’re free to make derivative works (and please do!), giving credit to “Jack Newhorse, jacknewhorse.com”.

    A version without that one swear word is at https://youtu.be/V_hdh6uQoJ8.


    LYRICS

    I’m Feeling Isolated
    Parody of Ramones “I Wanna Be Sedated”

    2020 you can go fuck yourself oh,
    I’m feeling isolated
    Nothing to do, no where to go oh
    I’m feeling isolated
    Living at a distance, feeling really rough
    Virtual massages don’t do near enough
    Working in my undies, working in the buff
    Oh no oh oh oh oh

    2020 you can go fuck yourself oh,
    I’m feeling isolated
    Nothing to do, no where to go oh
    I’m feeling isolated
    Sitting in the kitchen, don’t know what to do
    Nothing for me inside and nothing outside too
    Drink another coffee and make another poo
    Oh no oh oh oh oh

    2020 you can go fuck yourself oh,
    I’m feeling isolated
    Nothing to do, no where to go oh
    I’m feeling isolated
    Nation full of dummies, sunburn on their tongues
    Crowding on the beaches, heads all up their bungs
    Can’t say that I’ll miss them when they’re coughing up their lungs
    Oh no oh oh oh oh

    2020 you can go fuck yourself oh,
    I’m feeling isolated
    Nothing to do, no where to go oh
    I’m feeling isolated
    Time for introspection, don’t like what I see
    Thought I’d write a novel or smash the bourgeoisie
    Instead I sit around playing Final Fantasy
    Oh no oh oh oh oh

    Ba ba baba, baba ba baba, I’m feeling isolated
    Ba ba baba, baba ba baba, I’m feeling isolated
    Ba ba baba, baba ba baba, I’m feeling isolated
    Ba ba baba, baba ba baba, I’m feeling isolated


  • “Rotterdamse Bar”: Song for voice & piano

    Written in mixed English and Dutch with a specific singer in mind. (Thanks to friends Rosann and Conner for checking the Dutch.)

    © 2019 Tom Geller, all rights reserved.


    LYRICS

    VERSE I

    The sun glides low above the harbor
    of the Maritime Museum
    Where boats and cranes bear testament to the past
    I dream of the days of the harbortimes
    Of the noise and the filth and the petty crimes
    Een noodzakelijk overlast.

    The wind blows cold over the sailors
    with a whispered “Carpe diem”
    The fading sun gives way to the evening star
    They dream of success in the coming days
    Of the hope of a chance of a loving gaze
    Als zij lopen naar de Rotterdamse Bar.

    CHORUS

    Rotterdamse bar by the harbor
    Rotterdamse bar in de wijk
    You take in every hard-working person
    The sweating, sad, exhausted and cursing
    Whom everyday life will verbeter or worsen
    We werken allen hard, geen gezeik

    VERSE II

    The boats and cranes are all silent now
    by the Maritime Museum
    Examined only by tourists and children in from school
    For each there are a thousand more
    That never made it to this shore
    Vergeten en nu zonder levensdoel.

    Each day I walk past the quiet
    of that watery mausoleum
    Off to work like those sailors now obsolete
    I hope that some in a future time
    Will remember me as an paradigm
    Zal ik gekozen worden of niet?

    CHORUS

    Rotterdamse bar by the harbor
    Rotterdamse bar in de wijk
    You take in every hard-working person
    The sweating, sad, exhausted and cursing
    Whom everyday life will verbeter or worsen
    We werken allen hard, geen gezeik

    BRIDGE

    Alledaagse mensen
    In de hedendaagse tijd
    Alledaagse zorgen
    Eeuwigdurende, eeuwigdurende strijd

    VERSE III

    The ghosts glide low above the harbor
    of the Maritime Museum
    I know that mine will join them any day
    I hope they’ll see me as I am
    And will welcome me to Rotterdam’s
    Meest mysterieuze maatschappij

    The harbor will soon be transformed again
    in an endless industream
    To life as it is we must say an au revoir
    Our names they will almost all forget
    Every day the daily sun will set
    Maar wij hebben toch de Rotterdamse Bar

    CHORUS

    Rotterdamse bar by the harbor
    Rotterdamse bar in de wijk
    You take in every hard-working person
    The sweating, sad, exhausted and cursing
    Whom everyday life will verbeter or worsen
    We werken allen hard, geen gezeik
    We werken allen hard, geen gezeik
    We werken allen hard, geen gezeik


  • “Nothing and Nowhere”: Song for voice & piano

    Written in response to a friend’s post on FetLife — and a lifelong fascination with how our lives are affected by our bodies and how they’re seen — I wrote this song. It might be the opener for a musical that’s brewing in my head.

    LYRICS

    VERSE I

    From a thought in a head to a dot in an egg in your mother
    Then it grows and divides as its code overrides ev’ry other
    Chaos springs from that initial condition
    Despite all of your prayin’ and wishin’

    Maybe you’ll get a start with a hole in your heart (nonmetaphorical)
    Or with bowels you distrust causing howls and your life is deplorable
    Ev’ry part of your anatomy delivers
    Ways to baffle all your future caregivers

    CHORUS I

    We all come from the same place
    And that place is nothing and nowhere
    Occupying a distinct space
    From the insect to the giant polar bear
    And the taste of your tongue
    How you smell when you’re young
    How your muscles are strung
    And how well you are hungry
    For knowledge and life
    Whether you want a wife
    Whether you handle strife
    Or will fall on your knife
    Your body says
    Your body knows
    And in the end
    Your body will be
    Back to nothing

    VERSE II

    And when you go outside are you true? Do you hide from the masses?
    Do they stare or find fault? Do they care? Is it salt or molasses?
    Do you garner attention remotest?
    Or complete ev’ry journey unnoticed?

    And when you raise your voice, meet their gaze, make a choice, do they hear you?
    When you talk, do you boom? When you walk in a room do they fear you?
    Embryology defines your limits
    Then the world determines your place in it

    CHORUS II

    We all come from the same place
    And that place is nothing and nowhere
    Occupying a distinct space
    From the insect to the giant polar bear
    And the way that they treat you
    Whenever they meet you
    They might try to cheat you
    Or maybe complete you
    They surmise your mass
    To determine your class
    And the brass of your sass
    From your presence, alas
    Your body says
    Your body shows
    And in the end
    Your body will be
    Back to nothing

    BRIDGE

    Temporarily healthy
    Temporarily thrive
    Temporarily able
    Temporarily alive

    VERSE III (partial) & CLOSING

    From a thought in your head maybe not, then you’re dead; well, not living
    Much as you will conclude, like this tune, pretty soon unforgiving
    To nothing
    Nothing
    Nothing
    Temporary life


  • A response to that Horse Cock song: “Butterfly Pussy” song for small ensemble

    A response to that Horse Cock song: “Butterfly Pussy” song for small ensemble

    After arranging Pepper Coyote’s “No Cock Like Horse Cock” for orchestra and chorus, apparently there was more to be said.


    Lyrics

    There are those who say that the horse cock is the best
    That their cocks are the cockiest when you put them to the test
    But I’ve found genitalia that is better than the rest
    So just sit right down, I’ll tell you what it is.

    It’s not the panda penis with its bony little bone
    The puppy dick is cute, but it can knot take the throne
    The kitty dick is scary with its spiky danger zone
    It’s not the duct I want to shoot the jizz.

    My tastes are simpler, kinder, sweeter
    Hold me while I beat my meat-er
    Touch my butt and call me Dieter
    Give me just one thing:

    Butterfly pussy, butterfly
    Butterfly pussy, butterfly

    It comes in three varieties, depending on the need,
    Three sweet configurations made to take your steaming seed
    The exporian’s my favorite, fills me with a lusty greed
    Though exporians can be a bitchy bunch.

    With a groove that’s on the outside of a saucy, saucy whore,
    You can always see the juice that shot up in the heretofore
    From the entry point until the sexy, sexy ovipore
    It’s an open-bar buffet I want to munch

    So let me stick my aedeagus
    In your microscopic puss-puss
    Turn this me-me into us-us
    Make the angels sing:

    Butterfly pussy, butterfly
    Butterfly pussy, butterfly
    Butterfly pussy, butterfly
    Butterfly pussy, butterfly


  • “No Cock Like Horse Cock” for orchestra and chorus

    “No Cock Like Horse Cock” for orchestra and chorus

    I think Pepper Coyote’s song “No Cock Like Horse Cock” is a goddamn yiffyfur anthem. 


    So I orchestrated it (with Pepper’s permission) for chorus and orchestra and recorded a synthesized orchestra part. He graciously allowed me to pull together a few singers to open his NSFW show at Motor City Furry Con 2019. People loved it!

    Pepper Coyote has agreed to let me release this arrangement under a “Creative Commons” license — specifically, CC-BY 4.0. That means anybody (including you!) can put together a performance at future cons, meets, weddings, bar mitzvahs, what have you. Here are your resources:

    Also available for the musically nerdy (but not necessary for performance) are:

    A version with four-part (SATB) chorus is also available by request. And if you have a performance lined up, I’ll re-arrange it for whatever you have.

    Questions? Contact @JackNewhorse on Telegram.


  • “Prayer to Persephone”: Song for voice and orchestra

    A short song for voice and orchestra. Text is “Prayer to Persephone” by Edna St. Vincent Millay, from her 1921 collection “Second April”.

    LYRICS

    Be to her, Persephone,
    All the things I might not be;
    Take her head upon your knee.
    She that was so proud and wild,
    Flippant, arrogant and free,
    She that had no need of me,
    Is a little lonely child
    Lost in Hell,—Persephone,
    Take her head upon your knee;
    Say to her, “My dear, my dear,
    It is not so dreadful here.”